Advent
Gorton. Twilight. Christmas on the way.
The mist a sill or falling like a lowered blind,
a veil across the Santa in your neighbour’s
alleyway, evening advancing from all sides
as he hangs on his glittering rope of lights –
an eyeless robber with a sack of swag.
Indoors, we squeeze the year out of a box
of wine, tilting the crumpled bladder of the bag.
I knock it back: twelve months when days
were small doors printed on an advent scene,
some unknown threat behind each one.
Outside, fog switches off the city’s screen.
Your house asleep, I’ll take the woodland path
to Tesco, stand in the bright aisles
and stare out at the cereal-box nativity, red,
white and gold with the face of a child.
Friends of Ham
A friend of ham is a friend of ours
declares the 2D pig. I’m drinking
stout the colour of burnt toast, watching a man
sleeved in tattoos cut slivers of jamón ibérico,
the flesh almost translucent on the plate.
Each time you lie, you shed another skin.
A papery lookalike goes strolling
down the street you said that you were on.
I scan the crowd outside for someone
with your shape, your stride, until the road
becomes an outline of itself, as realistic
as the dotwork map of Spain that fills the wall
behind the bar. A giant cheese wilts
underneath a grill. Raclette, a couple
giggling at the smell. The waiter stoops
and sloughs the top layer off. I sip
until there’s nothing left and smile at him,
the glance returned, and then we turn
back into separate silences, wearing them
well, our hurts becoming us.